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Alien movie stiller4/28/2023 Instead, Next Exit is a loose, horror-adjacent showcase for Parker and Kolhi’s talents. It never gets too heady or deep with its musings either, and the pacing can sag because of it. It’s a charming dramedy that pares back scale and style. It’s not just the cast that’s reminiscent of Mike Flanagan’s works, but the ponderous monologues and reflections on life framed through the supernatural. You wind up caring about Rose and Teddy even if they don’t seem to care about themselves.ĭespite the bleak premise, Next Exit aims to instill hope. As broad and shallow as that can be, Parker and Kohli bring complexity and an infectious charm to their characters that invest you regardless. The filmmaker is more interested in how that intimately affects her lead characters. As Rose and Teddy encounter suicidal hitchhikers, PTSD-afflicted veterans, and uplifting priests that alter their perceptions, Elfman seeks to underscore that no one knows what they’re doing or holds life’s secrets. Next Exit may present a world with a definitive afterlife, but it’s not interested in exploring any answers. Parker and Kohli again demonstrate effortless charisma that imbues rooting interest from the outset. It’s a romantic comedy scenario shrouded by the afterlife and suicide ideations. Rose and Teddy frequently bicker and clash until various scenarios and encounters along the route lead to common ground and appreciation. Opposite her is the more lighthearted and listless Teddy, with very different reasons for this Life Beyond appointment. That’s more prevalent with Rose, an abrasive and guarded character still very much tormented by literal ghosts from her past. The ghosts occasionally scare, but this is a narrative about the living. The supernatural element is merely peripheral and supplemental to Elfman’s character-driven dramedy. What begins as a caustic, tenuous partnership by necessity evolves into something far more complex and endearing. It parallels the slow thawing between the pair. It’s a wintry road trip for Rose and Teddy, but the cold is as internal as it is external. Rose and Teddy couldn’t be further apart in personality and motivations but traveling together over what’s to be their final days forges deep bonds as they confront the pasts that haunt them.Įlfman casts this world of ghosts in washed-out lighting. Stevenson helps volunteers commit pain-free suicide so she can study the afterlife and how ghosts interact with the mortal plane. Stevenson ( Karen Gillan ) and her revolutionary scientific study Life Beyond. Both planned a long drive from New York to San Francisco for appointments with Dr. Strangers Rose ( Katie Parker, Absentia, “The Haunting of Bly Manor”) and Teddy ( Rahul Kohli, “Midnight Mass”) meet at a car rental place. But not all hauntings are welcome, and Elfman’s supernatural drama uses life-after-death as a springboard for a rumination on life and past traumas via a heartfelt road trip movie. Writer/director Mali Elfman ’s directorial feature debut sets its story after the world has finally solved one of its most elusive questions is there life after death? Next Exit answers that question straightaway by introducing a society that’s widely embraced the presence of ghosts, especially those of loved ones. The rat offers to get rid of his writer’s block in exchange for one of Larson’s loved ones dying.”ĭeadline also notes that Darren Aronofsky‘s Protozoa has optioned The Life of Chuck for Aronofsky to produce, and the titular story “If It Bleeds” may be woven into HBO’s “The Outsider.” “If It Bleeds,” after all, centers on “The Outsider” character Holly Gibney. When storms, insecurities, and sickness hit, Drew strikes a sinister bargain with a rat that turns out to be a thought-provoking spin on a “Monkey’s Paw” situation. But his latest concept, a Western thriller, is gangbusters, and he goes out to an old family cabin in the woods to get the novel done. He’s given himself over to academia because every time he tries to turn a good idea into a novel, things go seriously bad – mentally, physically, or both. Wikipedia explains, “The story centers on a writer named Drew Larson. In fact, all four of the new King-penned stories have already been optioned.ĭeadline brings us the word that Ben Stiller has optioned the tale Rat, and the site reports that Stiller is planning on directing, producing and starring in a film adaptation of the novella. Harrigan’s Phone, one of the stories featured in Stephen King‘s new collection If It Bleeds, and this week we’ve been updated with the news that the story isn’t the only one from the collection that’s soon headed to the screen. We learned just last week that Blumhouse, Ryan Murphy and writer/director John Lee Hancock are teaming up for a film adaptation of Mr.
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